Here Farishta seems lost in thought, pointing her eyes away from the camera. In reality, it all went quite spontaneously and very fast when this series was made. The series is reproduced here in the chronology of the portraits. It was the final series of the second part which featured the Zenni trial glasses. Most of the initiatives came from the model's side so what we see here is probably a moment of what the French call "reculer pour mieux sauter".
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